
What to do with footage that has no B-roll
Editing a story when the shoot came back thin, and the fixes that never look like fixes.
Read the pieceNotes on post-production from someone who does it daily: editing, color and retouching, kept practical.

Editing a story when the shoot came back thin, and the fixes that never look like fixes.
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The look that fits the story outlasts the look that fits the season.
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How to tell where the light is coming from before you start smoothing, and why it matters.
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